Dec. 20th, 2020 06:58 pm

aches

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a window cut in a thick concrete wall peers out onto foggy mountains and foliage

I wake up three days into the trek in Jagat, and I am sore. I ache. I eat breakfast, throw my pack on my back, and we’re on our way. As we get moving, the soreness starts speaking in new ways — the ankle that seems upset, the knee (not even the one I’d hurt a few days before I got on the plane!) that has had enough of the up and down, the bruises on my hips from a badly adjusted pack that was busily driving the hard part of its frame squarely into my ilium.

As I keep taking steps, mile by “Nepali flat” mile of rolling elevation change, each ache seems to submit to the inevitability that I will continue walking, and each one subsides from my consciousness in its own time.

That is, every ache but one. The one ache that will persist all day — the one that drove me to get on a plane and start walking in the first place — stays stubbornly at my side. Maybe one day, it, too, will dissipate. But today is not that day. Maybe not this trip, either.

* * *

The last few days of the trek are upon me. On the other side of the river, back at the beginning, I remember the expectation of being ground to dust. I hoped that the operation of walking for a few weeks would turn me into a pile of ash, from which I could partake of some mystical Phoenix-like rebirth. But there was nothing magical about a trail that would fundamentally change who I am. Staring down the end, I find that I am exactly the same as I was before, with the same fears and hopes and desires and longings and cravings, relating to the world in just the same ways as before.

The same as I always was, indeed — just maybe a few pounds leaner...

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a trail leads ahead through Fall-colored brush, with near-looking snowfields on mountains on the left, and snowy mountains straight ahead, seemingly equidistant

There’s no two ways about it — the valleys carved out by the rivers are just plain ol’ big, and, of course, so are the Himalayan mountains, too. But, I think, the thing that makes it a mountaineer’s playground is that the sense of scale lies to you. It gets to your head.

By way of comparison, maybe it’s instructive to think about places where your sense of scale matches the reality. You go to the Tahoe basin, for instance, and you look around, and you point at a peak on the horizon, and go “I could probably get there”, and you’d be right; it’d be a day’s work of hiking, and up you’ll go. Or you might find yourself in Zion National Park, and you’ll see a feature in front of you, and go “oh, that’s totally climbable”; if it’s not about to break in half, chances are good that someone has already put up a route on it.

The converse is true in other places, of course. When you go to the East side of the Sierras, you might stand on a peak, and point at another peak, and go “man, it would be an enormous pain in the ass to get there”, and you’d be right; there’s just so darn much terrain between you and the something else, and it’d be days of hiking, if not technical travel, to get to wherever it is that you’ve aimed your finger.

The Himalaya is special, though. You look up beside you, and just uphill of you, you see a friendly snowfield, a little ways down from the top of the valley you’re in. You get the urge to run up, pack a snowball, and throw it — maybe it’d be a half hour away. You glance down at the topo, and you discover very quickly that your eyes have fooled you: you’re sitting pretty in your village at eight thousand feet, but the top of that wall is easily a 14'er, as if it were no big deal.

Maybe that’s what keeps people coming back: the peaks of unimaginable prominence that just sit there there on the horizon, and pretend that they’re there for the taking -- or, maybe, just the way that the impossible suddenly feels human-scale.

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a line of trekking agencies waiting to greet clients at Kathmandu Airport

During my time in Nepal, I came to think of it, sort of, as “Whose Line Is It Anyway, the country”; the more time I spent there, the more I came to realize that, well, there are no rules, and the points don’t matter. And just like a good Calvinball game, we came out ahead, with a final score of oogy to boogy. By the time I got on the plane to head home, there was nothing on earth that could surprise me, or Kempy for that matter. I think we hit peak surprise somewhere in the middle of the trip, but it’s hard to know exactly when.

calvinball )
(images shot on Portra 400, and on Ilford HP5 Plus.)
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Mani stones along a trail.

Hiking along the trails in Nepal, you’ll often find big piles of flat stones. Upon closer inspection, you’ll find that the stones have inscriptions upon them — lettering that doesn’t appear like any of the other Devanagari script that you’ll see around the country, but instead usually in either Lantsa or Tibetan scripts (not that that’ll help you, of course, because you can read none of the three of them). They have been painstakingly carved, and there’s just an enormous number of them; sometimes, you’ll find piles four or five feet tall by thirty feet long by a few feet wide, all made of these flat stones, all with the same lettering on them. They’re a curious artifact.

om mani padme hum, and mantric innovations )
(images shot on Portra 400, on Velvia 100, and on Ilford HP5 Plus at box speed; video courtesy of Kempy.)
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Binod and Mr. Yak Poo’s guide stand in a dining room.

The end of the Manaslu circuit meets up with the beginning of the Annapurna circuit, and there really was a stark contrast indeed between the crowd on the two. The Annapurna circuit seems to attract a hashtag-bucketlist collection of folks — young, tough, fit people carrying way too much and romping down the trail in cotton T-shirts — whereas we were surprised to find ourselves, it seemed, in the bottom decile of age range on the Manaslu circuit. In part, this might be because the Manaslu circuit is lesser known than the Annapurna circuit; in part, it might be because guides are required by law on the Manaslu circuit (and, anyway, most of the teahouse owners don’t really speak English). But even yet, we met the acquaintance of a handful of interesting folks along the way.

the people you meet )
(images shot on Ilford HP5 Plus at box speed, on Portra 400, and on Kempy’s Pixel 3.)
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Binod a good distance away on a trail that is indistinguishable from its neighboring foliage

The thing about our guide, Binod, was that he wasn't a bad guy, he was just a little ... inexperienced. He was kind of a young guy, younger than we were, early 20s; he said he'd been around the Manaslu circuit three or four times before, and been on many treks prior to that, but as we found, it was kind of hard to get a straight answer out of him. But being inexperienced is fine, as long as you can find the way eventually, as long as you have three simple words at your disposal: "I don't know". Binod, we found, was not very good at using these words on matters of any import.

the shifting of the ruse )

This is the first of a handful of stories from Nepal. If you don't have a Dreamwidth account, but you want to get notified so you can read more things like this when I write them, I also have an e-mail list; I promise I'll only send mail for things that I write that go here on this blog.

(both images shot on Ilford HP5 Plus, pushed to ISO 800.)
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a notebook, a kindle, a hot chocolate, and a croissant, in contrasty black-and-white on a wooden table

I think I promised a few people a summary of what I read while I was in Nepal. Here's a selection of what I took on my Kindle with me, with the stuff I liked the best highlighted in red:

Not Without Peril; The Secret of the Yoga Sutra; The Slow Farm; The Yiddish Policemen's Union; Marooned in Realtime; Why We Sleep; Reading Lolita in Tehran )

I suppose this almost entirely omits the most important book I brought with me -- a blank one, and a pen. I wrote about sixty pages worth of ink while I was away. Some of those will be making an appearance here soon too, I think.

(photo captured on Ilford HP5 Plus, pushed to ISO 800.)

December 20th, 2019: This post has been recently updated to reflect new information about Matthew Walker's book, "Why We Sleep".

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a few trails that lead into low brush, and subsequently up and into the mountains
you are quiet and wide open

kodak portra 400. more coming soon.

(previously)

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